I have written about the book “The Ode Less Traveled” by Stephen Fry in the past. At one point I was going to work my way through the book and do all the exercises. Life intervened and I never did do the poetry exercises. This morning after reading about eighty pages of Stephen King’s book titled “On Writing” which really is very good and I will probably write about it another day, I pulled out “The Ode Less Traveled.” The Ode Less Traveled, writing iambic pentameter…
I read the first section. It introduces the book and talks about meter in poetry. The first exercise involves listening to the rhythm of a set of selections of two lines of poetry that are written in iambic pentameter. Iambic pentameter is a type of meter where every other syllable is stressed. An example would be:
“He bangs the drum and makes a dreadful noise.”
I read through all of the examples and felt confident that I had the rhythm of iambic pentameter. The second exercise in the book is about writing iambic pentameter. I need to work more on this.
Writing in Iambic Pentameter
Here is what I wrote this morning. It, uh, needs work shall we say. I am still trying to get the hang of this iambic pentameter thing.
The wind blew fierce and whipped the trees with might
Brown branches bent, cracked, and fell to sodden ground.
With rain, green grass grew slick, dove grey rock black.
The thunderbirds rode chariots of cloud
We hid under woolen blankets to watch.
The scent of pine, lightning’s ozone sharp tang,
And sweat scented the air. I watched the waves,
Relentless scour the shore. Thunderclaps boomed.
One strike from heaven turns sand into glass.
What once could flow unformed and ordinary,
becomes jagged and sharp with crystalline
knowledge too delicate and dangerous.
Writing in Meter is Challenging
Writing in a structured meter is hard because you begin to force the meter in your thinking and after awhile you just simply cannot hear the stresses on the syllables. I posted the above poem just to give an example of what I mean. After working on this for the better part of a half an hour I am sure that if I were trying to talk to someone the way that I would say the word dangerous would sound as though I was not a native speaker of English. Also while writing this poem, I was convinced the second line was good iambic pentameter. Looking at it now the stresses are all wrong. I am going to let this activity rest for the day and come back to it tomorrow.
Try writing something in iambic pentameter! It makes you think about the word choice and offers a restriction that forces a bit of creativity.